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Tenir L'évanouissement

其他書名	Entre Maîtrise Intégrale Et Abandon Anéantissant
出版	2011
URL	http://books.google.com.hk/books?id=0M-D0AEACAAJ&hl=&source=gbs_api

註釋Despite their many points of contact, the works of Antonin Artaud and Jean Genet have never been the object of an exclusive comparative study. If they are often connected, it is in a limited fashion: briefly and in terms of the theater. Yet ail their writing is theatrical: it is the premise on which this, the first full-length comparative study of their works, is based. Firstly, I examine the singular way in which each takes great figures from mythology and history in order to introduce them into their own text (to demonstrate this work of « reconfiguration » in Artaud and Genet, more specifically I analyse their treatment of the tragic figure of Antigone, in Antigone chez les Français and Journal du voleur). Secondly, I study how Artaud and Genet defy the dialectic of judgement ruling the univocal reading which they oppose. In part, I focus on their defiance in the texts that they composed for the same radio broadcast, Pour en finir avec le jugement de dieu and L'Enfant criminel (both of which were censored), and in part I analyse Artaud's drawings and numerous scenes of fainting in Genet's works. Thirdly, I put forward an ethical way of approaching the troubling terms « cruelty » and « treason » that Artaud and Genet have bequeathed us. By the intervention of these anti-conceptual concepts, I propose, they invite us to live in the same way they write and read, that is to say in the same way they see the multiplicities of reality. As an exemplification, I advance a close reading of Artaud's Théâtre et son double in relation to Genet's La Sentence--a text whose recent publication confirms the pertinence of the comparative approach taken in this study.