登入選單
返回Google圖書搜尋
Platform Papers 25
註釋Taking the perspective of both dancer and critic, Erin Brannigan examines the increasing disciplinarity of contemporary Australian dance practice and discusses local developments in the context of global trends and their history. Such regulation is incongruous, she claims, in the face of the extraordinary cross-media diversity displayed by the leading choreographers abroad. The place of dance as a discrete discipline in both education and public performance has been hard won, she says, but now the accelerating move towards collaboration with other art forms is challenging the old disciplines and confusing the received rules of critical discourse and public funding.