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Hollow Men
Susan Gaylard
其他書名
Writing, Objects, and Public Image in Renaissance Italy
出版Fordham Univ Press, 2013-04-02
主題Art / History / RenaissanceForeign Language Study / ItalianHistory / Europe / Great Britain / GeneralHistory / Europe / ItalyLiterary Criticism / GeneralLiterary Criticism / European / English, Irish, Scottish, WelshLiterary Criticism / European / ItalianLiterary Criticism / RenaissanceLiterary Criticism / Subjects & Themes / GeneralLiterary Criticism / Subjects & Themes / Gender IdentitySocial Science / Gender StudiesSocial Science / Regional Studies
ISBN08232517489780823251742
URLhttp://books.google.com.hk/books?id=3Ww3Uig6Q6IC&hl=&source=gbs_api
EBookSAMPLE
註釋This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together 15th- and 16th-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation.Hollow Men shows that the Renaissance questioning of "interiority" derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the dedecline of exemplary pedagogy and the emergence of modern masculine subjectivity were well under way in the mid-15th century, and that these changes were hastened by the rapid development of the printed image.