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Romanticism, Self-Canonization, and the Business of Poetry
註釋Cover -- Half-title -- Series information -- Title page -- Copyright information -- Dedication -- Epigraph -- Table of contents -- List of figures -- List of tables -- Acknowledgments -- Note on the Text -- List of abbreviations -- Introduction: Re-collection's Intranquility -- 1 Corpus, Canon, and the Self-Collected Author -- "An Entire Body of English Poetry"--Bodies of Work, Living and Dead -- Reprinting Fame -- "Misleading by Classification"--Dedicated Lives -- The Double-Bind of Self-Canonization -- 2 Subscription Reprinting: The Third and Fifth Elegiac Sonnets -- The Early Editions: Contingency, Succession, Form -- The Fifth elegiac sonnets: Commerce, Transparency, Form -- 3 "Bell's Poetics": From The Florence Miscellany to the Books of The World -- Origins of a Style -- "The Paper of Poetry" -- Making a Proper Name -- Epilogue: "Bell's Poetics" -- 4 "A Local Habitation and a Name": Remaking Lyrical Ballads (1800) -- Reckonings -- Lengthening Lines: From Goslar to Grasmere -- Deeds -- Properties -- Sites -- Domiciles -- 5 Robert Southey's Laureate Policy -- "That Poor, Insane Creature, the Laureate"3 -- Life Assurance -- Hedging Fame -- Underwriting the Laureate -- Collecting "Robert Southey, Esq., L.L.D." -- 6 Shelley Incinerated: The Heart of the Posthumous Poems -- Receptions -- Remains -- Transformations -- Reclamations -- Notes -- Introduction: Re-collection's Intranquility -- 1 Corpus, Canon, and the Self-Collected Author -- 2 Subscription Reprinting -- 3 "Bell's Poetics" -- 4 "A Local Habitation and a Name" -- 5 Robert Southey's Laureate Policy -- 6 Shelley Incinerated -- Bibliography -- Index