“A razor-sharp delight! . . . a wonderful and witty mash-up of murder mystery and onstage/offstage intrigue.” — Tom Ford, director and Equity actor (Sweeney Todd)

Imagine an Agatha Christie whodunit set to a Stephen Sondheim soundtrack. Asher Kaufman doesn’t have to—because he’s living it.

In this laugh-out-loud funny backstage tale (a sequel to All the World’s a Stage Fright), our hero—a fallible local theater critic—once again finds himself in an uncomfortable role: acting in a professional stage production so he can write about the experience for his newspaper, the Cleveland Jewish Chronicle.

This time, the show is the angry, bloody, and brilliant musical Sweeney Todd. And in addition to mastering the musical’s famously challenging lyrics and performing its dark, enigmatic melodies, Asher finds himself in the middle of an unscripted, onstage, opening night murder.

The police detective leading the investigation is a no-nonsense crime solver but a fish out of water in the world of theater, so she asks Asher to be her cultural advisor on the case.

Now, he must help find out which of his quirky castmates is a killer. They all claim innocence, but as Asher knows firsthand, they could just be acting.