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The Color of Jazz
Jon Panish
其他書名
Race and Representation in Postwar American Culture
出版
University Press of Mississippi
, 1997
主題
Music / Ethnic
Music / History & Criticism
Music / Genres & Styles / Jazz
Social Science / Anthropology / Cultural & Social
Social Science / Minority Studies
Social Science / Popular Culture
ISBN
1578060354
9781578060351
URL
http://books.google.com.hk/books?id=5JCfAAAAMAAJ&hl=&source=gbs_api
註釋
A Study of the Ways Popular Culture Viewed Jazz and Its Musicians in Postwar AmericaAlthough now sometimes called America's only pure art form and America's classical music, jazz has not always been accorded favorable appellations. Accurate though these encomiums may be, they obscure the complex and fractious history of jazz's reception in the U.S. Developing out of the African-American cultural tradition, jazz has always been variously understood by black and white audiences.This penetrating study of America's attitudes toward jazz focuses on a momentous period in postwar history -- from the end of World War II to the beginning of the Black Power Movement. Exploring the diverse representations of jazz and jazz musicians in literature and popular culture, it connects this uneven reception and skewed use of jazz with the era's debates about race and racial difference. Its close scrutiny of literature, music criticism, film, and television reveals fundamental contrasts between black and white cultures as they regard jazz. To the detriment of concepts of community and history, white writers focus on the individualism they perceive in jazz. Black writers emphasize the aspects of musicianship, performance, and improvisation. White approaches to jazz tend to be individualistic and ahistorical, and their depictions of musicians accent the artist's suffering and victimization. Black texts treating similar subject matter stress history, communitarianism, and socio-personal experience.This study shows as well how black and white dissenters such as the Beats and various African-American writers have challenged the mainstream's definition of this African-American resource. It exploressuch topics as racial politics in bohemian Greenwich Village, the struggle of the image of Charlie Parker, the cultural construction of jazz performance, and literature's imitation of jazz improvisation.As a cultural history with relevance for contemporary discussions of race and representation, The Color of Jazz offers an innovative and compelling perspective on diverse, well-known cultural materials.