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出版Edições Tijuana, 2011
ISBN85643240089788564324008
URLhttp://books.google.com.hk/books?id=5UP6nQEACAAJ&hl=&source=gbs_api
註釋''In 4000 DISPAROS Jonathas de Andrade randomly captured the faces of strangers in the streets of Buenos Aires using a roll of black and white Super 8 film. There are approximately 4000 faces in total, each image corresponding to one frame. As in other works of his, there is here the appropriation of an aesthetic from another time, a past time, which translates into the quality of the images presented. Images produced today are confused with historical ones, creating an uncertainty about the material, which constantly oscillates between archive and fiction. Here, they are extremely grainy and monochromatic, suggesting that they were produced sometime between the late 1960s and early 1970s, and that they have a documental character. Moreover, these insistent records of anonymous men, by their very accumulation, seem to serve a classification or monitoring purpose. As we know, it is precisely in this period that several Latin''--