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A Print Retrospective from the Collections of Jordan D. Schnitzer and His Family Foundation
出版Jordan Schnitzer Family Foundation, 2010
主題Art / Collections, Catalogs, Exhibitions / GeneralArt / Collections, Catalogs, Exhibitions / Permanent CollectionsArt / ConceptualArt / American / GeneralArt / Individual Artists / MonographsArt / Techniques / PrintmakingArt / Prints
ISBN19352021039781935202103
URLhttp://books.google.com.hk/books?id=6ptIAQAAIAAJ&hl=&source=gbs_api
註釋Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. "In my work," he says, "I found that I could be the master of my own universe and control what people see and pay attention to." For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the 1970s Raw Prints series, for which he amended photos of Santa Monica mallgoers with abstracted shapes printed above the images that replicate details from them; this series was pivotal in democratizing photo-based prints in the art world. Since then, Baldessari has gone on to collaborate with some of the world's great printmakers, such as Brooke Alexander, Gemini G.E.L., Cirrus Editions, Edition Jacob Samuel, Mixographia and Crown Point Press. An essential volume in any contemporary art library, this first full survey of Baldessari's four-decade printmaking career is the definitive volume on the prints, and boasts 140 color plates alongside testimonies from his printmaking collaborators.