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The Red Atlantis
J. Hoberman
其他書名
Communist Culture in the Absence of Communism
出版
Temple University Press
, 1998
主題
Literary Criticism / Semiotics & Theory
Political Science / Political Ideologies / Communism, Post-Communism & Socialism
Political Science / Political Ideologies / Radicalism
Social Science / Anthropology / General
Social Science / Anthropology / Cultural & Social
ISBN
1566397677
9781566397674
URL
http://books.google.com.hk/books?id=7dUsfjS_VOsC&hl=&source=gbs_api
EBook
SAMPLE
註釋
For most of the twentieth century, American and European intellectual life was defined by its fascination with a particular utopian vision. Both the artistic and political vanguards were spellbound by the Communist promise of a new human era—so much so that its political terrors were rationalized as a form of applied evolution and its collapse hailed as the end of history.
The Red Atlantis
argues that Communism produced a complex culture with a dialectical relation to both modernism and itself. Offering examples ranging from the Stalinist show trial to Franz Kafka's posthumous career as a dissident writer And The work of filmmakers, painters, and writers, which can be understood only as criticism of existing socialism made from within,
The Red Atlantis
suggests that Communism was an aesthetic project—perhaps
the
aesthetic project of the twentieth century. Author note:
J. Hoberman
, staff writer for the
Village Voice
, writes on film and culture for the
Voice
, the
Voice Literary Supplement
,
Artforum
, and other publications. His books include
Bridge of Light: Yiddish Film Between Two Worlds
(Temple, 1995) and
Vulgar Modernism: Writing on Movies and Other Media
(Temple, 1991), which was nominated For The National Book Critics Circle award in criticism. He is an Adjunct Professor of Cinema at the Cooper Union.