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Cut with the Kitchen Knife
Maud LavinHannah Höch
其他書名
The Weimar Photomontages of Hannah Höch
出版Yale University Press, 1993
主題Photography / Individual Photographers / General
ISBN03000476659780300047660
URLhttp://books.google.com.hk/books?id=8wwjkgEACAAJ&hl=&source=gbs_api
註釋The women of Weimar Germany had an uneasy alliance with modernity: while they experienced cultural liberation after World War I, these New Women still faced restrictions in their earning power, political participation, and reproductive freedom. Images of women in newspapers, films, magazines, and fine art of the 1920s, reflected their ambiguous social role, for the women who were pictured working in factories, wearing androgynous fashions, or enjoying urban nightlife seemed to be at once empowered and ornamental, both consumers and products of the new culture. In this book Maud Lavin investigates the multilayered social construction of femininity in the mass culture of Weimar Germany, focusing on the photomontages of the avant-garde artist Hannah Hoch.