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Retroactivism in the Lesbian Archives
Jean Bessette
其他書名
Composing Pasts and Futures
出版
SIU Press
, 2018
主題
Language Arts & Disciplines / General
Language Arts & Disciplines / Linguistics / Sociolinguistics
Language Arts & Disciplines / Rhetoric
Language Arts & Disciplines / Public Speaking & Speech Writing
Social Science / Feminism & Feminist Theory
Social Science / LGBTQ+ Studies / Lesbian Studies
Social Science / Women's Studies
ISBN
0809336235
9780809336234
URL
http://books.google.com.hk/books?id=9qdFDwAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
Winner, 2018 Winifred Bryan Horner Outstanding Book Award
Grassroots historiography has been essential in shaping American sexual identities in the twentieth century.
Retroactivism in the Lesbian Archives
examines how lesbian collectives have employed “retroactivist” rhetorics to propel change in present identification and politics. By appropriating and composing versions of the past, these collectives question, challenge, deconstruct, and reinvent historical discourse itself to negotiate and contest lesbian identity.
Bessette considers a diverse array of primary sources, including grassroots newsletters, place-based archives, experimental documentary films, and digital video collections, to investigate how retroactivists have revised and replaced dominant accounts of lesbian deviance. Her analysis reveals inventive rhetorical strategies leveraged by these rhetors to belie the alienating, dispersing effects of discourses that painted women with same-sex desire as diseased and criminal. Focusing on the Daughters of Bilitis, the Lesbian Herstory Archives, and the June L. Mazer Archives, and on historiographic filmmakers such as Barbara Hammer and Cheryl Dunye, Bessette argues that these retroactivists composed versions of a queer past that challenged then-present oppressions, joined together provisional communities, and disrupted static definitions and associations of lesbian identity.
Retroactivism in the Lesbian Archives
issues a challenge to feminist and queer scholars to acknowledge how historiographic rhetoric functions in defining and contesting identities and the historical forces that shape them.