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Space and Time in Epic Theater
Sarah Bryant-Bertail
其他書名
The Brechtian Legacy
出版
Boydell & Brewer
, 2000
主題
Literary Criticism / Semiotics & Theory
Literary Criticism / Drama
Music / General
Performing Arts / General
Performing Arts / Film / General
Performing Arts / Theater / History & Criticism
Poetry / General
ISBN
1571131868
9781571131867
URL
http://books.google.com.hk/books?id=CEV5NHm5iYkC&hl=&source=gbs_api
EBook
SAMPLE
註釋
Bertolt Brecht and the director Erwin Piscator developed epic theater in the 1920s because they found Western realism limited to the single perspective of an individual, and thus unable to confront the new realities: technological warfare, revolution, the metropolis, and the mass media, among others. The epic stage juxtaposed the old media of actors and scenery with new media, including film, photography, and electronic sound. Bryant-Bertail provides analyses of theatrical productions in the epic tradition from before, during, and after Brecht's lifetime: Hasek's The Good Soldier Schwejk directed by Piscator; Mother Courage written and directed by Brecht; Lenz's The Tutor directed by Brecht; Ibsen's Peer Gynt in productions directed by Peter Stein and Rustom Bharucha; Büchner's Leon and Lena (& Lenz) directed by JoAnne Akalaitis; and Les Atrides (The House of Atreus) from Aeschylus and Euripides, directed by Ariane Mnouchkine. Bryant-Bertail shows that epic theater's relevance for politically engaged artists lies in its discovery that history, fate, and human nature are spatio-temporal constructs that may be reconstructed on stage. SARAH BRYANT-BERTAIL is Associate Professor Emerita of theory and criticism in the School of Drama at the University of Washington.