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註釋In 1975, with a Guggenheim Scholarship as visiting professor and a grant to develop a residency at the Laboratory for Computer Graphics and Spatial Analysis and the Carpenter Center for the Visual Arts at Harvard University, Manuel Felguérez in collaboration with Mayer Sasson, a Colombian systems engineer residing in New York and who was married to painter Fanny Sanin, undertook the task of working in a computer laboratory on the La Máquina Estética project. The proposal sought a relationship between art and science through a series of premises worked numerically. "The book written by Manuel Felguérez and Mayer Sasson: "Aesthetic Machine" (Mexico: UNAM, 1983), now reissued by the Institute for Aesthetic Research takes us back to that moment when the emergence of new thinking triggered by the invention of the computer opened the way to another way of thinking about art and influenced new artistic practices." --Page 9.