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Abolition, Feminism, and the Politics of the Body
出版University of California Press, 1993-01-01
主題Literary Criticism / Semiotics & TheorySocial Science / Women's Studies
ISBN05200795909780520079595
URLhttp://books.google.com.hk/books?id=FKWNOLyl6xIC&hl=&source=gbs_api
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註釋In this striking study of the pre-Civil War literary imagination, Karen Snchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood, one in which the racially distinct and physically constrained slave body converged with the sexually distinct and domestically circumscribed female body.
Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Snchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly.
Snchez-Eppler warns against exaggerating the positive links between literature and politics, however. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing "difference," in the nineteenth century as in the twentieth. Her insightful examination of issues that continue to be relevant today will make a distinctive mark on American literary and cultural studies. In this striking study of the pre-Civil War literary imagination, Karen Snchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood, one in which the racially distinct and physically constrained slave body converged with the sexually distinct and domestically circumscribed female body.
Moving from the public domain of abolitionist politics to the privacy of lyric poetry, Snchez-Eppler argues that attention to the physical body blurs the boundaries between public and private. Drawing analogies between black and female bodies, feminist-abolitionists use the public sphere of anti-slavery politics to write about sexual desires and anxieties they cannot voice directly.
Snchez-Eppler warns against exaggerating the positive links between literature and politics, however. She finds that the relationships between feminism and abolitionism reveal patterns of exploitation, appropriation, and displacement of the black body that acknowledge the difficulties in embracing "difference," in the nineteenth century as in the twentieth. Her insightful examination of issues that continue to be relevant today will make a distinctive mark on American literary and cultural studies.