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Art and Aesthetics After Adorno
J. M. Bernstein
Claudia Brodsky
Anthony J. Cascardi
Thierry de Duve
Ales Erjavec
Robert Kaufman
Fred Rush
出版
Fordham University Press
, 2012-04
主題
Art / History / General
Art / European
Literary Criticism / Semiotics & Theory
Philosophy / General
Philosophy / Aesthetics
Philosophy / History & Surveys / Modern
Philosophy / Individual Philosophers
ISBN
0823253090
9780823253098
URL
http://books.google.com.hk/books?id=FRcdNQEACAAJ&hl=&source=gbs_api
註釋
Theodor Adorno's Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno's Aesthetic Theory was the world of high modernism, and much has happened since then both in theory and in practice. Adorno's powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind? This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno's aesthetic critique and a concern for the future of aesthetic theory in response to recent developments in aesthetics and its contexts.