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Examining Evangelicalism

其他書名	The Power of Signage, Painting and Sculpture in the Southern Yard Show
出版	Bard College, 2019
URL	http://books.google.com.hk/books?id=GCCx0AEACAAJ&hl=&source=gbs_api

註釋An analysis of self-taught artists in the American South centered on the concept of the 'yard show.' This is an in-depth examination of the manner in which evangelical rhetoric and doctrine effects signage, painting, and sculpture. This involves an exploration of the history of evangelicalism in the Southern United States, a critique of the role of the museum in self-taught art, and an analysis of missionary intentions and cults of personality surrounding work by untrained artist. Artist examined in this paper include: Howard Finster, Joe Minter, Herman Dennis, Mary Proctor, Sister Gertrude Morgan, and Nellie Mae Rowe. Thornton Dial and Lonnie Holley are featured tangentially.