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Murder on the Ohio Belle

Stuart W. Sanders

出版	University Press of Kentucky, 2020-03-17
主題	True Crime / HistoricalTrue Crime / Murder / GeneralHistory / United States / Civil War Period (1850-1877)History / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV)
ISBN	08131787389780813178738
URL	http://books.google.com.hk/books?id=Imc1EAAAQBAJ&hl=&source=gbs_api
EBook	SAMPLE

註釋

“A carefully crafted microhistory of a riverboat and life on the Western rivers that reveals the tensions and realities of America on the eve of civil war.” —America’s Civil War Review

In March 1856, a dead body washed onto the shore of the Mississippi River. Nothing out of the ordinary. In those days, people fished corpses from the river with alarming frequency. But this body, with its arms and legs tied to a chair, struck an especially eerie chord. The body belonged to a man who had been a passenger on the luxurious steamboat known as the Ohio Belle, and he was the son of a southern planter. Who had bound and pitched this wealthy man into the river? Why? As reports of the killing spread, one newspaper shuddered, “The details are truly awful and well calculated to cause a thrill of horror.”

Drawing on eyewitness accounts, Murder on the Ohio Belle uncovers the mysterious circumstances behind the bloodshed. A northern vessel captured by secessionists, sailing the border between slave and free states at the edge of the frontier, the Ohio Belle navigated the confluence of nineteenth-century America’s greatest tensions. Stuart W. Sanders dives into the history of this remarkable steamer—a story of double murders, secret identities, and hasty getaways—and reveals the bloody roots of antebellum honor culture, classism, and vigilante justice.

“Dives deeply into the antebellum South’s culture of honor and masculine violence.” —Kenneth W. Noe, author of The Howling Storm

“Captures the clash of class and cultures between the North and the South, between wealthy southerners and those they deemed to be lower-class in living color.” —Cleveland Review of Books