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Anonymous Art at Auction
Anne-Sophie V. Radermecker
其他書名
The Reception of Early Flemish Paintings in the Western Art Market (1946–2015)
出版
BRILL
, 2021-05-25
主題
Art / Techniques / General
Art / Art & Politics
Art / Business Aspects
Art / General
ISBN
9004460209
9789004460201
URL
http://books.google.com.hk/books?id=JkwwEAAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle finding of this book is not only that historical names matter in the art market, but so do all other alternative identification strategies that art market players use to label anonymous paintings. Indirect names, provisional names, and spatiotemporal designations function as substitutes for real names that simulate identities, create
ex-post
stories around the artworks offered for sale, and, consequently, reduce information asymmetry about an artist’s identity, with, at time, quite unexpected effects on price.