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Nationalizing Blackness
Robin Dale Moore
其他書名
Afrocubanismo and Artistic Revolution in Havana, 1920–1940
出版
University of Pittsburgh Pre
, 1998-01-15
主題
Music / General
Music / Genres & Styles / International
History / Caribbean & West Indies / Cuba
ISBN
0822971852
9780822971856
URL
http://books.google.com.hk/books?id=JpEREQAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
The 1920s saw the birth of the tango, the "jazz craze," bohemian Paris, the Harlem Renaissance, and the primitivists. It was a time of fundamental change in the music of nearly all Western countries, including Cuba. Significant concessions to blue-collar and non-Western aesthetics began on a massive scale, making artistic expression more democratic.In Cuba, from about 1927 through the late thirties, an Afrocubanophile frenzy seized the public. Strong nationalist sentiments arose at this time, and the country embraced
afrocubanismo
as a means of expressing such feelings. Black street culture became associated with
cubanidad
(Cubanness) and a movement to merge once distinct systems of language, religion, and artistic expression into a collective of national identity.Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over "degenerate Africanisms" associated with
comparas
or carnival bands; similar controversies associated with
son
music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to
afrocubanismo
. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.
Nationalizing Blackness
represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.