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Maurizio Cattelan
Nancy Spector
Francesco Bonami
Barbara Vanderlinden
Maurizio Cattelan
出版
Phaidon Press
, 2000-01-03
主題
Art / History / Modern (late 19th Century to 1945)
Art / History / Contemporary (1945-)
Art / Individual Artists / General
Art / Popular Culture
Biography & Autobiography / Artists, Architects, Photographers
ISBN
0714838667
9780714838663
URL
http://books.google.com.hk/books?id=K3lQAAAAMAAJ&hl=&source=gbs_api
註釋
This comprehensive monograph documents the work of Maurizio Cattelan, theest-known Italian artist to have emerged internationally in the 1990s. Hisork has featured in three editions of the Venice Biennale (1993; 1997; 1999)nd in major venues worldwide, including The Museum of Modern Art, New York1998); and the Tate Gallery, London (1999).;Cattelan creates sculptures thatock the art system and even the artist himself, with considerable wit andudacity. Poking fun at art history (with, for example, a giant,isneyland-type figure of Pablo Picasso greeting visitors at New York'suseum of Modern Art), monumentality (with a tomb-like, marble epitaphisting all the football matches lost by the England team, exhibited in arominent London gallery), his native Italy (in a major exhibitionelebrating new Italian art, Cattelan created a rug forming a map of hisountry -inevitably trampled and soiled beneath museum visitors' feet), andften makes fun of himself and his own inability to be responsible, "serious"rtist. Part jester, part accuser of the contemporary art world, part thief,