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Music's Making
Michael Cherlin
其他書名
The Poetry of Music, the Music of Poetry
出版
State University of New York Press
, 2024-07-01
主題
Music / Instruction & Study / Theory
Music / Genres & Styles / Classical
Religion / Judaism / General
Literary Criticism / Semiotics & Theory
Philosophy / Movements / Phenomenology
ISBN
1438498470
9781438498478
URL
http://books.google.com.hk/books?id=LXwCEQAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
As a work of musical theory, or meta-theory,
Music's Making
draws extensively on work done in philosophy and literary criticism in addition to the scholarship of musicologists and music theorists.
Music's Making
is divided into two large parts. The first half develops global attitudes toward music: emergence out of self and hearing through (drawing on Kabbalah and other sources), middle-voice (as discussed in philosophical phenomenology), liminal space (as discussed in literary theory), an ethics of intersubjectivity (drawing on Levinas), and character, canon, and metaleptic transformations (drawing chiefly on Harold Bloom). The second half embodies a search for metaphors, figurative language toward understanding music's endlessly variegated shaping of time-space. The musicians and scholars who inform this part of the book include Pierre Boulez, Gilles Deleuze, Anton Webern, Morton Feldman, and James Dillon. The book closes with an extended inquiry into the metaphors of horizontal and vertical experience and the spiritual qualities of musical experience expressed through those metaphors.