It started simply enough—a missing young woman. Granted, there’s no love lost between Pola and Captain Sara Atterson, but that’s irrelevant. A job is a job. This one takes her deep into the world of artists and the theater, which is a different experience from digging in the closets of the wealthy. She’s not impressed.

Audra Martino was an innocent, drawn to causes to “save things”, as one fellow apprentice said. What happened to her after she left the gallery where her work was exhibited for the first time? And what happened to her sketchbook?

There are secrets in the dark, and before Pola is done she’ll go deep into more than one.