登入選單
返回Google圖書搜尋
New Music, New Allies
Amy C. Beal
其他書名
American Experimental Music in West Germany from the Zero Hour to Reunification
出版University of California Press, 2006-07-04
主題Biography & Autobiography / MusicHistory / Europe / GermanyMusic / GeneralMusic / EthnicMusic / History & Criticism
ISBN05202475589780520247550
URLhttp://books.google.com.hk/books?id=MMwkDQAAQBAJ&hl=&source=gbs_api
EBookSAMPLE
註釋New Music, New Allies documents how American experimental music and its practitioners came to prominence in the West German cultural landscape between the end of the Second World War in 1945 and the reunification of East and West Germany in 1990. Beginning with the reeducation programs implemented by American military officers during the postwar occupation of West Germany and continuing through the cultural policies of the Cold War era, this broad history chronicles German views on American music, American composers’ pursuit of professional opportunities abroad, and the unprecedented dissemination and support their music enjoyed through West German state-subsidized radio stations, new music festivals, and international exchange programs.

Framing the biographies of prominent American composer-performers within the aesthetic and ideological contexts of the second half of the twentieth century, Amy C. Beal follows the international careers of John Cage, Henry Cowell, Earle Brown, Morton Feldman, David Tudor, Frederic Rzewski, Christian Wolff, Steve Reich, Pauline Oliveros, Conlon Nancarrow, and many others to Donaueschingen, Darmstadt, Cologne, Bremen, Berlin, and Munich.