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Lotus and Birds in the Cincinnati Art Museum

其他書名	Philosophical Syncretism in the Transitional Work of Bada Shanren
出版	Ohio State University, 2012
URL	http://books.google.com.hk/books?id=NjOukQEACAAJ&hl=&source=gbs_api

註釋Abstract: This thesis, which focuses on the late Ming and early Qing dynasty Chinese artist Bada Shanren (Zhu Da, 1626-1705), explores three facets of his painting: his gradual artistic development through his bird and flower paintings; his syncretic philosophical references to Buddhism, Daoism, and Confucianism in his art; and the artistic conversation that occurs between Bada Shanren and later generations. A descendent of the Ming dynasty Prince of Yiyang, Bada was raised and educated in an aristocratic family of collectors, artists, and poets in Jiangxi. He entered the priesthood after the fall of the Ming dynasty, rising to become temple abbot. At the age of 50 he left the temple, but was soon pressured from all directions - to collaborate with the Qing, to serve a Ming revival, and to produce heirs. Feigning insanity, or perhaps temporarily mad, he apparently lived as a hermit for a decade, and then became a professional painter. In the absence of detailed contemporary records, his paintings and cryptic poems survive as the only primary documents of his life.