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The Ambassadors of Death
Shachar Bram
其他書名
The Sister Arts, Western Canon and the Silent Lines of a Hebrew Survivor
出版Sussex Academic Press, 2011
主題Art / GeneralArt / Criticism & TheoryArt / History / GeneralArt / EuropeanArt / Middle EasternHistory / Africa / CentralHistory / Middle East / EgyptHistory / Modern / 20th Century / HolocaustHistory / Expeditions & DiscoveriesLiterary Criticism / GeneralLiterary Criticism / JewishLiterary Criticism / Middle EasternLiterary Criticism / PoetryLiterary Criticism / Subjects & Themes / GeneralSocial Science / Jewish Studies
ISBN18451945009781845194505
URLhttp://books.google.com.hk/books?id=OQXEAQAACAAJ&hl=&source=gbs_api
註釋Tuvia Rubner, winner of Israel Prize for Poetry (2008), is a Hebrew poet who lost his family in the Holocaust. He turned his personal trauma into a broad world view that engages with Western culture, his poetry highlighting correspondences with paintings by Chagall, Breughel, Holbein, Turner and Rembrandt. Death and loss are molding experiences in this poet's world. Paint and sculpture masterpieces are signalled as masks, as Ambassadors of Death. Rubner's poems enable us to examine the tradition of various forms of artistic representation, while addressing the experience of art in a century when God 'hid his face' from the fate of European Jewry. And as Shahar Bram discovers and elaborates, herein lies an exquisite example of the use of ekphrasis -- Rubner using his poetic language medium to explain and process the meaning and messages inherent in a select group of paintings and sculptures of cultural significance. This important book contributes to the interdisciplinary theory of "word and image", and the history of the relationships between "sister arts". The result is not only a unique perspective of traditional Western art form as reflected in the eyes of a Hebrew survivor of twentieth-century Holocaust atrocities, but, in the words of Ruskin, it is "the expression of one soul [one artistic form] talking to another". The result is a profound understanding of the central principles of word and image art forms. Konrad-Adenauer Prize for Literature 2012