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Collection of Graphics of the Olomouc Museum of Art, Anglais
出版Muzeum umění Olomouc, 2019
ISBN80881035849788088103585
URLhttp://books.google.com.hk/books?id=P6eBzQEACAAJ&hl=&source=gbs_api
註釋Graphic art is a complex phenomenon whose significance transcends the borders of fine art and visual culture. It radically influences the way we think, learn, create, and share. It plays an integral part in scientific atlases, children's books, the virtual spaces - and of course, in gallery collections. In recent years, the graphic way of seeing has been establishing itself outside its natural environment, and is staring to infringe upon or even directly colonise not only other media (painting, photography, film, etc.), but also the very means of our orientation in the world. Hence "pangraphism" - hence "post-print". It is not the aim of this publication to historicise this phenomenon, it does seem, however, that the spirit itself is and can be something like the internal aspiration of the medium. As a simple enumeration of personalities shows - Odilon Redon, James Esnor, Vojtěch Preissig, Max Švabinský, Josef Váchal, František Tichý, Jan Smetana, Bohuslav Reynek, Vladimír Boudník, Dalibor Chatrný, Zdeněk Sýkora, Ivan Picelj, Otto Piene, Rune Mields, Alena Kučerová, Adriena Šimotová, Rudolf Sikora, Jiří Lindovský, Daniel Fischer, Vojtěch Kovářík, Šárka Trčková - the spectrum of modern graphic art is immensely broad, and in every instance of exceptional interest. It also patently demonstrates the gradual transformation of the charcter and status of the (graphic) image itself. The all-inclusive aspect of its theory presupposes both historical and anthropological or psychological connotations. If we accept this, then we can apply the words of the American philosopher Alva Noël, who is rehabilitating the idea that art - i.e. a work of art - is a "strange tool" through which we return to ourselves. An attempt at this is also the catalog of the collection of graphics of the Olomouc Museum of Art.