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The Postmodern Art of Imants Tillers
Graham Coulter-Smith
其他書名
Appropriation en Abyme, 1971-2001
出版
Fine Art Research Centre, Southampton Institute
, 2002
主題
Art / General
Art / American / General
Art / Individual Artists / General
ISBN
1874011494
9781874011491
URL
http://books.google.com.hk/books?id=PQDqAAAAMAAJ&hl=&source=gbs_api
註釋
"The strategy of postmodern appropriation that burgeoned into an international style in the 1980s is currently epitomised by the work of New York artists such as Cindy Sherman, Barbara Kruger, Hans Haacke and David Salle. This book examines the parallel yet highly original evolution of Australia's leading appropriationist, Imants Tillers." "The author argues that whereas the New York school was predominantly based on the appropriation of mass media imagery, from 1975 onwards Tiller turned to the appropriation of fine art imagery. While the New York school was primarily oriented towards a deconstruction of the ideological signs of mass media, Tillers pioneered an alternative Australian school of appropriation based on the deconstruction of authorship." "Coulter-Smith also argues that the lack of authorial presence that arises out of Tillers' approach foregrounds the role of the viewer in the construction of meaning and in so doing expands the discourse of appropriation into the multi-dimensional space of intertextuality."--BOOK JACKET.