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Sister Wendy's Classics of Art Collection
Sister Wendy Beckett
Dorling Kindersley Publishing Staff
出版
Dorling Kindersley Publishing, Incorporated
, 1902-09
ISBN
0789461137
9780789461131
URL
http://books.google.com.hk/books?id=QzzPPQAACAAJ&hl=&source=gbs_api
註釋
Attention Sister Wendy fans! Available together for the first time, here are Sister Wendy Beckett's two most definitive books on the power and beauty of great art. In Sister Wendy's Story of Painting, the renowned art historian and television personality presents 450 masterpieces - reproduced in full color - and chronicles the developments and movements in painting over the past 800 years. Each movement - from Gothic to Renaissance, Romanticism to Impressionism, Post-Impressionism to Modernism - is introduced by visual timelines that provide an instant overview of the important artists and paintings of that era. As she discusses various schools and movements as well as the work of dozens of individuals artists, Sister Wendy not only tackles the technical topics of perspective, color, and symbolism, she delves into the spiritual, political, and personal aspects of each painting, making art come alive for even the most novice admirer. Sister Wendy analyzes more than 30 of the world's most famous paintings, using enlarged details to explain techniques and reveal symbolism in works that include Botticelli's The Birth of Venus, Rembrandt's The Jewish Bride, Monet's The Waterlily Pond, and Van Gogh's Self-Portrait. Sister Wendy's Story of Painting is an accessible overview of a subject often thought to be overwhelming and complex. A more personal, though equally expansive tome, Sister Wendy's 1000 Masterpieces looks at the thousand artworks she has found to intrigue her most. In this volume, Sister Wendy applies her unique intensity to what most inspires her in the artist's work as well as to the essential life events that shaped the work. Arranged alphabetically by artist, each work receives a full page of attention. The text contains information, annotated where necessary on materials and techniques, on the artist's symbolism, and on the location where the original work is displayed.