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出版Yale University Press, 2002-01-01
主題Art / Individual Artists / GeneralArt / EuropeanArchitecture / Individual Architects & Firms / GeneralArt / Collections, Catalogs, Exhibitions / GeneralArt / Subjects & Themes / GeneralPerforming Arts / Film / History & CriticismArt / History / Modern (late 19th Century to 1945)Art / General
ISBN97803000945960300094590
URLhttp://books.google.com.hk/books?id=Rr3xO8bmMRcC&hl=&source=gbs_api
EBookSAMPLE
註釋Russian painter Kazimir Malevich (1878-1935), unlike other prominent Soviet artists, has not been much considered in discussions of the contributions of the avant-garde to photography and film. Yet a close examination of theoretical and practical aspects of Malevich's oeuvre not only places him fully in the Soviet post-abstract discourse on these media but also, Margarita Tupitsyn argues in this analysis, alters the accepted view of his post-Suprematist period. Exploring Malevich's involvement with film, Tupitsyn draws on little-known writings about cinema by the artist himself, and many photographs and documents. Malevich's influence on 20th-century art extends far more widely than has been claimed for him before, the author concludes.