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Studies in Medieval Music Theory and the Early Sequence
註釋Explores such aspects of medieval music theory as the influence of Pythagorean mathematics and musical thought, rhythm and meter, alphabetic notation, Hermann's major sixth, descant, counterpoint, harmony, Zarlino's renumbering of the modes, the troping hypothesis, the repertory of proses at Saint Martial de Limoges in the 10th century, and the early Frankish sequence as a new musical form. The 18 essays are reproduced from previous journal publication between 1958 and 1975. Annotation copyrighted by Book News, Inc., Portland, OR