登入選單
返回Google圖書搜尋
其他書名
A Fable for Tomorrow
出版Smithsonian American Art Museum, 2010
主題Art / Collections, Catalogs, Exhibitions / GeneralArt / History / GeneralArt / American / GeneralArt / Individual Artists / MonographsArt / Subjects & Themes / General
ISBN097906788X9780979067884
URLhttp://books.google.com.hk/books?id=SvKobwAACAAJ&hl=&source=gbs_api
註釋The first major survey of the artist's work Highlights include Evolution (1992), his first mural-sized painting, and Manifest Destiny (2003-04), an ambitious large-scale work commissioned by the Brooklyn Museum of Art Rockman's ability to cross the boundary between fact and fiction appeals to both scientists and art critics Accompanies an exhibition at the Smithsonian American Art Museum, Washington, D.C., November 19, 2010 - May 8, 2011 Alexis Rockman: A Fable for Tomorrow traces the artist's career from Pond's Edge (1986) to The Reef (2009), with its timely reminder of the perils of off-shore oil drilling. Superficially easy viewing, Rockman's paintings subvert the optimism of the American dream with their mix of scientific precision and environmental degradation. This vividly illustrated volume highlights the attention to detail and striking use of color which give Rockman's work an almost cinematic impact that is seldom seen in contemporary art. His compelling mix of intensely colored realism, scientific detail and strong polemic, result in art that is both a demand for action and an elegy over what has been lost. Author Joanna Marsh worked closely with Rockman on the painting selection and convincingly links the various themes of the artist's work over three decades with the history of America's environmental movement. Contents: Foreword by Elizabeth Broun, director of the Smithsonian American Art Museum Acknowledgments Alexis Rockman: A Fable for Tomorrow by Joanna Marsh Plates Panoramas of the Post-Apocalypse: Rockman's Triptych, American Landscape, and Landscape Theater by Kevin J. Avery From Chameleons in the Curtains to Manifest Destiny by Thomas Lovejoy Accompanies an exhibition at the Smithsonian American Art Museum, November 19th, 2010 - May 8th, 2011. Joanna Marsh is The James Dicke Curator of Contemporary Art at the Smithsonian American Art Museum, Washington D.C. Kevin J. Avery is associate curator in the Department of American Paintings and Sculpture at The Metropolitan Museum of Art, New York. Thomas Lovejoy is a leading biologist and Biodiversity Chair, The Heinz Center for Science, Economics, and the Environment.