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Soundscape

出版	University of Florida, 2014
URL	http://books.google.com.hk/books?id=TanPrQEACAAJ&hl=&source=gbs_api

註釋Architecture and Music have long since had a symbiotic relationship. Composers and Architects have been inspired by one another's work throughout history. Gothic, Renaissance; and Baroque Architecture inspired Mozart and Beethoven in the 18th century, and artists from recent generations such as Radiohead and Robert Plant have utilized iconic cathedra!s and castles for their inspirational and acoustical richness. Equaliy, various musical works explicitly influenced Steven Holl's "Stretto House", Le Corbusier's "Phillips Pavilion" and Daniel Libeskind's Jewish Museum in Berlin. The goal of this research is to capitalize on precedence and to develop unique strategies for creating musically derived inhabitable space and generative forms based at first explicitly on pieces of music, then shifting into an interpretive spatial representation of sound. Rhythm, pattern, tempo and scale craft layers of information that define general organizational patterns for both audible and physical constructs. When music is diagrammatically observed and analyzed, seemingly embedded codes and frameworks are revealed that begin to demarcate opportunities for what Xenakiis called "interdisciplinary hybridization". The resulting mappings and data are then used as input for digitally created generative forms, which posses the malleability to become components that can create actual physical space or stand alone artistic designs. In an attempt to ultimately employ this study to transform otherwise transient "non-places" (airport terminals, theme park entry ways etc....) Into meaningful and thoughtful environments through music, this exploration culminates in proposals for numerous potential application sites.