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collecting installation art documents ; [anlässlich der gleichnamigen Ausstellung im Me Collectors Room Berlin ; 14.03.2015 - 24.05.2015]
出版Me Collectors Room, 2015
ISBN30004862169783000486210
URLhttp://books.google.com.hk/books?id=XTTQsgEACAAJ&hl=&source=gbs_api
註釋From 14 March until 24 May 2015 me Collectors Room Berlin presents "A Book of Burning Matches: Collecting Installation Art Documents." The exhibition examines the importance of documentation in installation art and presents the collection of documents assembled by London-based curators Nicolas de Oliveira (German/Portuguese) and Nicola Oxley (British) spanning three decades. The material displayed takes the form of analogue and digital photographs, videos, sound-recordings, texts, proposals, models and objects. The collection of these artifacts and documents are witnesses to installation art's fugitive, ephemeral nature, and points towards an artform that stresses the point of contact with the visitor - its reception. The two curators restage the historical material, proposing a choreographed movement through the archive. This proposition is borne out of the desire to reveal how ephemeral works may be chronicled, archived and displayed. The material displayed therefore does not seek to replace past installations and performances nor is it presented as immutable historical documentation. It is rather able to reactivate - to rematerialize - the original work in the spectator's imagination and to extend aspects of the work's life, what can lead to divergent positions and outcomes in the reception.