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Baroque, Venice, Theatre, Philosophy
Will Daddario
出版Springer, 2017-06-02
主題Performing Arts / Theater / History & CriticismPhilosophy / AestheticsHistory / Europe / GeneralArt / Criticism & TheoryPerforming Arts / Theater / GeneralPerforming Arts / Dance / Classical & BalletArt / Techniques / General
ISBN33194952329783319495231
URLhttp://books.google.com.hk/books?id=XmsmDwAAQBAJ&hl=&source=gbs_api
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註釋This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.