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Dogmatics Among the Ruins
Ian R. Boyd
其他書名
German Expressionism and the Enlightenment as Contexts for Karl Barth's Theological Development
出版
Peter Lang
, 2004
主題
Art / History / Modern (late 19th Century to 1945)
History / Modern / 18th Century
Literary Criticism / General
Literary Criticism / European / German
Philosophy / History & Surveys / Medieval
Religion / Christianity / Literature & the Arts
Religion / Christianity / History
Religion / History
Religion / Philosophy
Religion / Christian Theology / General
Religion / Christian Theology / Systematic
Religion / Christian Church / History
ISBN
3039101471
9783039101474
URL
http://books.google.com.hk/books?id=YQZXSnlzkF8C&hl=&source=gbs_api
EBook
SAMPLE
註釋
In the second decade of the twentieth century the cultural life of Germany was transformed by the emergence of Expressionism, a series of vigorous, youthful artistic movements which were to exert a lasting influence on modern culture. In the same decade a young Swiss pastor called Karl Barth began a theological revolution, laying the foundations for probably the most influential body of Christian theology in the modern age. Some relationship between these two revolutions has long been assumed by scholars; yet it has never been examined in detail. The first part of this study addresses this omission, offering the most detailed analysis to date of the important relationship between Barth and Expressionism. The second part of the book takes a broader look at both Barth's theology and Expressionist culture, considering the relevance of the Enlightenment as a context for both. The key to this is a detailed discussion of Barth's own analysis of the Enlightenment in his neglected book
Protestant Theology in the Nineteenth Century.
Barth's view is also compared with Alasdair MacIntyre's treatment of the Enlightenment in
After Virtue.
The examination of these two contexts, German Expressionism and the Enlightenment, yields valuable insights into Barth's entire theological project.