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A Language for German Opera
Judith Popovich Aikin
其他書名
The Development of Forms and Formulas for Recitative and Aria in Seventeenth-century German Libretti
出版Harrassowitz, 2002
主題Literary Criticism / PoetryLiterary Criticism / Subjects & Themes / GeneralMusic / History & CriticismMusic / Genres & Styles / OperaMusic / Instruction & Study / Theory
ISBN34470465389783447046534
URLhttp://books.google.com.hk/books?id=ZJOfAAAAMAAJ&hl=&source=gbs_api
註釋Content Introductory Remarks on Word-Music Relations: "Mein selbst ander ich" Forms for Early German Opera in Dresden: Heinrich Schutz, Martin Opitz and Augustus Buchner Two Directions for the Early German Opera Libretto: Georg Philipp Harsdorffer and Simon Dach German Language Opera in Dresden, 1650 -1680 The Turning Point: Caspar Ziegler's Von den Madrigalen (1653) and Initial Signs of its Impact in Dresden and Wolfenbuttel The Final Pieces of the Puzzle: Festspiele in Rudolstadt (1665 -1667) and "Die hallische Oper" (1660 -1679) Three Operas at the Threshold of Maturity: Rosander und Rosimene (1679), Floretto (1683), and Die Drey Tochter Cecrops (1679) Opera as Poetic Genre and Source of Poetic Forms: "das galanteste Stuck der Poesie" Bibliographies Indices