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Kazimir Malevich
Казимир Северинович Малевич
Simon Baier
Britta Tanja Dümpelmann
其他書名
The World as Objectlessness
出版
Kunstmuseum Basel
, 2014
主題
Art / General
Art / History / General
Art / History / Modern (late 19th Century to 1945)
Art / Individual Artists / Monographs
ISBN
3775737316
9783775737319
URL
http://books.google.com.hk/books?id=_RZongEACAAJ&hl=&source=gbs_api
註釋
In 1927, Kazimir Malevich (1879-1935)--the creator of the modernist icon "Black Square on a White Ground"--published
The World as Objectlessness
, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich's only publication in a Western language, and the title then, somewhat imprecisely translated, was
Die gegenstandslose Welt
(
The Non-Objective World
). Malevich described his theory as "the supremacy of pure feeling or perception in the pictorial arts," and emphasized the "feeling" of a work, rather than the depiction of objects, advancing a philosophy that was both anti-material and non-utilitarian, focusing on geometric forms--lines, squares and circles--within a limited chromatic range. This volume offers a new translation of the artist's illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication, which are now in the possession of the Kunstmuseum Basel. The intensive research on these works of art provides new insights into the history of this creation: when and where were the illustrations done, and what stage in Malevich's artistic development do they reflect? Malevich's
The World as Objectlessness
is a snapshot of a moment in a boundless artistic universe.