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Christopher Wool
Christopher Wool
Ann Goldstein
Thomas E. Crow
Museum of Contemporary Art (Los Angeles, Calif.)
出版
Museum of Contemporary Art
, 1998
主題
Architecture / Individual Architects & Firms / General
Art / History / General
Art / American / General
Art / History / Modern (late 19th Century to 1945)
Art / History / Contemporary (1945-)
Art / Individual Artists / General
ISBN
3931141918
9783931141912
URL
http://books.google.com.hk/books?id=_a5PAAAAMAAJ&hl=&source=gbs_api
註釋
Published on the occasion of the first survey of Wool's work at the Los Angeles Museum of Contemporary Art from July to October 1998, this book features all of this artist's work to date. Drawn from sources in everyday or vernacular culture, Wool's imagery has ranged from the rolled "wallpaper" images of flowers, vines, or dots, to using rubber-stamps, stencils, or silkscreens. Working with language as image since the late 1980s, Wool has restructured words ("prankster", "adversary", "comedian", "paranoic", "riot", "fool") or common phrases ("cats in the bag", "the show is over", "run dog run") into all-over compositions of stencilled block letters that traverse or grid the picture plane while maintaining the integritiy of their meaning. Recently, Wool has turned from the techniques of image construction to exploring methods of image destruction in the silkscreened, overpainted, and spraypainted works of the mid-1990s.