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Titian Remade
Maria H. Loh
其他書名
Repetition and the Transformation of Early Modern Italian Art
出版Getty Publications, 2007
主題Art / GeneralArt / EuropeanArt / History / RenaissanceArt / Individual Artists / GeneralArt / Subjects & Themes / General
ISBN089236873X9780892368730
URLhttp://books.google.com.hk/books?id=aG0cDAAAQBAJ&hl=&source=gbs_api
EBookSAMPLE
註釋Titian Remade explores imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters: the canonized master Titian (ca. 1488-1576) and his artistic heir, the now-unremarked Padovanino (1588-1649). Reading the latter's Sleeping Venus (1610), triumph (1620), and Self-Portrait (ca. 1630) against corresponding works by Titian, Maria H. Loh argues the case for repetition as a positive act of artistic self-definition. Her history of creative emulation and engaged viewing in early modern visual culture offers a profound vision of art as a continual process of retrieval and projection that effectively bonds the present to the past and the self to the other.