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Hiroshi Sugimoto
註釋In 1980 Hiroshi Sugimoto began working on an ongoing series of photographs of the sea and its horizon in locations all over the world, using an old-fashioned large-format camera to make exposures of varying duration. These seascapes are as much about the nature of photography as nature itself. They fall into several basic types: clear dayscapes with crisp, absolute horizons dividing bright, blank skies from dark water; foggy dayscapes where sky and sea merge atmospherically; nightscapes, in which sky, water, waves, and horizon register as so many degrees of black; and dawnscapes shot deliberately out of focus, where sunpaths spill from misty horizons, rendering the candor of photographic vision as pure impressionism.