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The Films of Joseph Losey
James Palmer
Michael Riley
出版
Cambridge University Press
, 1993-06-25
主題
Performing Arts / Acting & Auditioning
Performing Arts / Film / General
Performing Arts / Film / Direction & Production
Performing Arts / Individual Director
Social Science / Media Studies
ISBN
0521387809
9780521387804
URL
http://books.google.com.hk/books?id=acrU7Ib9G4YC&hl=&source=gbs_api
EBook
SAMPLE
註釋
The Films of Joseph Losey examines the career of the expatriate director through a close analysis of five of his most important and challenging films. When his leftist politics made him a target of the House Committee on Unamerican Activities in 1951, the blacklisted Losey left America and continued his film career in England. Concerned mainly with the use and abuse of power inherent in intimate relationships, Losey also examined these issues as manifested in institutions and social classes. His finest films attack the injustices and hypocrisy rooted in the privileges of the English class system and frequently depict the moral failure of characters who betray their best instincts. The Films of Joseph Losey also examines Losey's close working relationships with playwright/screenwriter Harold Pinter and actor Dirk Bogarde, his experimental form of storytelling, the psychological complexity of characters acting as narrator of their own stories, and the intricate handling of time in the structure of his films. Close studies of King and Country, The Servant, Accident, The Go-Between, and The Romantic Englishwoman confirm Losey's stature as a director of powerful and compelling films of both moral importance and great formal complexity.