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Leonardo
Laurence B. Kanter
Rita Piccione Albertson
其他書名
Discoveries from Verrocchio's Studio : Early Paintings and New Attributions
出版
Yale University Press
, 2018-01-01
主題
Art / History / Renaissance
Art / Collections, Catalogs, Exhibitions / Group Shows
Art / Individual Artists / Monographs
ISBN
0300233019
9780300233018
URL
http://books.google.com.hk/books?id=bMpfDwAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio
This groundbreaking reexamination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio--specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo, and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.