Too often performers are conditioned to think they have a “speaking voice” and a “singing voice.” Yet in fact, the voice we use to speak, laugh, cry, yawn, scream, and call out is the same voice we use to sing!

Joan Melton brings together the contrasting worlds of singing and acting training in an approach that is physically energizing, vocally freeing, and infinitely practical. Kenneth Tom contributes a chapter on vocal anatomy and physiology, offering clear and accessible material on how the voice works, along with practical advice on its care.

This groundbreaking book outlines a course of study that effectively integrates techniques from theatre and music across a range of performance trainings. The physicality of Melton’s approach addresses the concerns of professional voice users in any field, and her detailed work on phrasing and the use of language applies equally to speaking and singing.