登入
選單
返回
Google圖書搜尋
Caught Between the Lines
Carlos Riobó
其他書名
Captives, Frontiers, and National Identity in Argentine Literature and Art
出版
U of Nebraska Press
, 2019-04
主題
Art / General
Art / History / Modern (late 19th Century to 1945)
History / Latin America / South America
Literary Criticism / General
Literary Criticism / American / Hispanic & Latino
Literary Criticism / Caribbean & Latin American
Social Science / Ethnic Studies / Caribbean & Latin American Studies
ISBN
1496213866
9781496213860
URL
http://books.google.com.hk/books?id=bVOIDwAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
Caught between the Lines
examines how the figure of the captive and the notion of borders have been used in Argentine literature and painting to reflect competing notions of national identity from the nineteenth to the twenty-first centuries. Challenging the conventional approach to the nineteenth-century trope of "civilization versus barbary," which was intended to criticize the social and ethnic divisions within Argentina in order to create a homogenous society, Carlos Riobó traces the various versions of colonial captivity legends. He argues convincingly that the historical conditions of the colonial period created an ethnic hybridity--a mestizo or culturally mixed identity--that went against the state compulsion for a racially pure identity. This
mestizaje
was signified not only in Argentina's literature but also in its art, and Riobó thus analyzes colonial paintings as well as texts.
Caught between the Lines
focuses on borders and
mestizaje
(both biological and cultural) as they relate to captives: specifically, how captives have been used to create a national image of Argentina that relies on a logic of separation to justify concepts of national purity and to deny transculturation.