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The Blues Aesthetic and the Making of American Identity in the Literature of the South
Barbara A. Baker
出版
P. Lang
, 2003
主題
Art / General
Foreign Language Study / English as a Second Language
History / North America
Literary Criticism / General
Literary Criticism / American / General
Literary Criticism / American / African American & Black
Literary Criticism / European / General
Literary Criticism / European / French
Literary Criticism / European / German
Literary Criticism / Women Authors
Literary Criticism / American / Regional
Music / General
Music / Genres & Styles / Blues
Music / Genres & Styles / Dance
Music / Instruction & Study / Theory
Social Science / Anthropology / General
Social Science / Anthropology / Cultural & Social
Social Science / Anthropology / Physical
Social Science / Customs & Traditions
Social Science / Ethnic Studies / General
Social Science / Sociology / General
Social Science / Regional Studies
ISBN
0820462209
9780820462202
URL
http://books.google.com.hk/books?id=c7JZAAAAMAAJ&hl=&source=gbs_api
註釋
The blues aesthetic as formulated by Ralph Ellison and Albert Murray holds that the African-American vernacular tradition, with blues music at its core, has had an unparalleled impact on the whole of American culture and art. Examining the manner in which the aesthetics related to blues music are manifested in the literature of George Washington Harris, Charles Chesnutt, Zora Neale Hurston, and Lewis Nordan reveals that African-American experience is diffused throughout Southern literature, from Old Southwest humor to contemporary fiction. The blues aesthetic as a window into the works of these four authors allows the reader to recognize the African-American and Southern elements that contribute to the making of American identity as expressed in our art.