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註釋The exhibition curated by Pilar García and Marco Morales brings together 32 sound artists through the selection of more than 60 pieces that represent the growing interest in sound as a central element in the contemporary art of the 1960's. The exhibition includes sculptures that become instruments, sound installations or works in which the sound is formulated through the code language in the form of voice that enunciates music, memory or social and political criticism. Participating artists include: Terry Allen (USA, 1943), Carlos Amorales (México, 1970), Francois y Bernard Baschet (France 1920-2014 y 1917-2015), Tania Candiani (México, 1974), Arnaldo Coen (México, 1940) y Mario Lavista (México, 1943), Armando Cristeto Patiño (México, 1957), Abraham Cruzvillegas (México, 1968), Felipe Ehrenberg (México, 1943) and Rodolfo Alcaraz, Manuel Felguérez (México, 1928), Ana Gallardo (Argentina, 1958), Mario García Torres (México, 1975), Thomas Glassford (México, 1963), Douglas Gordon (Scotland, 1966), Jerónimo Hagerman (México, 1967), Allan Kaprow (USA, 1927-2006), Myra Landau, Ilán Lieberman (México, 1969), Israel Martínez (México, 1979), Erick Meyenberg (México, 1980), Leticia Obeid (Argentina, 1975), Yoshua Okón (México, 1970), Fernando Ortega (México, 1971), Carla Rippey (USA, 1950), Manuel Rocha Iturbide (México, 1963), Miguel Rodríguez Sepúlveda (México, 1971), Kazuya Sakai (Argentina, 1927-2001), Carlos Somonte (México, 1956), Rogelio Sosa (México, 1977), Althea Thauberger (Canadá, 1970) and Krzysztof Wodiczko (Poland, 1943).