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Ten Lessons in Theory
Calvin Thomas
其他書名
An Introduction to Theoretical Writing
出版
A&C Black
, 2013-08-01
主題
Literary Criticism / Semiotics & Theory
ISBN
1623561647
9781623561642
URL
http://books.google.com.hk/books?id=eXiHAAAAQBAJ&hl=&source=gbs_api
EBook
SAMPLE
註釋
An introduction to literary theory unlike any other,
Ten Lessons in Theory
engages its readers with three fundamental premises. The first premise is that a genuinely productive understanding of theory depends upon a considerably more sustained encounter with the foundational writings of Hegel, Marx, Nietzsche, and Freud than any reader is likely to get from the introductions to theory that are currently available. The second premise involves what Fredric Jameson describes as "the conviction that of all the writing called theoretical, Lacan's is the richest." Entertaining this conviction, the book pays more (and more careful) attention to the richness of Lacan's writing than does any other introduction to literary theory. The third and most distinctive premise of the book is that literary theory isn't simply theory "about" literature, but that theory fundamentally
is
literature, after all.
Ten Lessons in Theory
argues, and even demonstrates, that "theoretical writing" is nothing if not a specific genre of "creative writing," a particular way of engaging in the
art
of the sentence, the art of making sentences that make trouble sentences that make, or desire to make, radical
changes
in the very fabric of social reality.
As its title indicates, the book proceeds in the form of ten "lessons," each based on an axiomatic sentence selected from the canon of theoretical writing. Each lesson works by creatively unpacking its featured sentence and exploring the sentence's conditions of possibility and most radical implications. In the course of exploring the conditions and consequences of these troubling sentences, the ten lessons work and play together to articulate the most basic assumptions and motivations supporting theoretical writing, from its earliest stirrings to its most current turbulences.
Provided in each lesson is a working glossary: specific critical keywords are boldfaced on their first appearance and defined either in the text or in a footnote. But while each lesson constitutes a precise explication of the working terms and core tenets of theoretical writing, each also attempts to
exemplify
theory as a "practice of creativity" (Foucault) in itself.