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註釋David Jones, the greatest painter-poet since Blake, was celebrated and revered by the most renowned of his contemporaries. Since his death in 1974, a growing circle of enthusiasts has valued his work for its scope and complexity. For the centenary of his birth, this much awaited major critical study introduces Jones's visual achievement to a new and larger public. Jonathan Miles and Derek Shiel have uncovered a vast amount of hitherto unseen material - sketches, watercolours, carvings, engravings, inscriptions and ephemera - and place Jones, not only in the context of twentieth century British art but also in relation to continental movements.