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Between White
出版Axel Vervoordt Gallery, 2022
ISBN946393538X9789463935388
URLhttp://books.google.com.hk/books?id=gt2azwEACAAJ&hl=&source=gbs_api
註釋When post-war art in Western Europe was characterized by happenings and installations, the artist Raimund Girke (1930-2002) continued to see art as a two-dimensional application of paint on canvas or paper. Although he exhibited several times with artists from the Zero movement, which was founded by his fellow students at the Düsseldorf Art Academy, he did not want to be part of it. Later he was associated with several other artistic movements, such as Analytical Painting, Essential Painting, Fundamental Signage or Radical Painting - some founded by critics or curators, the others by artists themselves. This book offers the first overview of Girke's involvement in these various movements and contextualizes his relationships with artists he admired or counted as friends, such as Ryman, Calderara or Uecker. It highlights the important historical exhibitions in which Girke took part, such as documenta 6 (1977) or the Venice Biennale (1990), and examines the development of his technique and color palette.