登入選單
返回Google圖書搜尋
註釋"Papers positions historical and technological conclusions to face their philosophical underpinnings. Illuminating the mysteries of temperament and character in harmony, placing medievalism into the present, giving a narrative of studio recording as world making, and musing on her revered theories about art. Two of the essays dissect sympathetic compositions: Natura Morta by Walter Marchetti and In A Large, Open Space by James Tenney. The book concludes with six artifact studies: an Italian virginal, a Bösendorfer piano, the Novachord, the Mellotron, the modern harp, and the OSCar synthesizer. Comprehensive details of their development, mechanisms, and cultural significance are laid to bare."--Publisher's website.